The premise of Justass League’s Singin’ in the Pain is innovative. It’s a burlesque show based around disability, chronic pain and mental health being two disabilities covered. Like the disabilities, the acts themselves were diverse which included fan dancing, singing, and more.
The performance was deeply personal, the performers spoke of their pain, struggle, and trauma. Be it through singing about mental health or society’s views on what a disability should be, it was an incredibly emotive performance. They opened up about their vulnerabilities and themselves to a wider audience. It was beautiful and empowering to see this unfold.
The stand out performer for me was US disability advocate and burlesque performer Jacqueline Box. Performing two acts, Box gave performances that were jaw-droppingly sexy both from her wheelchair and the ground. As she danced, comments from non-disabled members of society appeared on a screen behind her. Some of the comments included were “You don’t look disabled” and “Have you tried walking around?”. She screamed about her trauma and society’s views on her disability while continuing to dance and strip down. Having a disability myself, I connected with her words as they hit close to home.
Another standout performer was Madam Savage, who spoke of chronic pain and diabetes. Her portrayal showcased how having these disabilities has affected her life, right to the bedroom. She even incorporates her daily diabetic treatment into the act. This was both an interesting and unique twist to the performance.
A must-see performance at the Fringe, Singin’ in the Pain conveys so much emotion and trauma, spreading a message of empowerment to the people with disabilities viewing it. Singin’ in the Pain is a unique, wonderfully crafted burlesque performance.
Words by Cameron Lowe.
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