Anya Anastasia and a Decade of Fringe

Late last year I had the opportunity to meet Anya Anastasia, a cabaret performer celebrating a decade of performing in the Adelaide Fringe. Anastasia has a diverse range of skills including riding a unicycle or maintaining perfect pitch while doing a handstand—something not many of us could do, I’m sure.

Since first seeing Anastasia perform in 2015 with Torte-e-Mort: Songs of Cake and Death, I have been eagerly following her career and booking tickets for each of her new shows at the Adelaide Fringe. For the past few years Anastasia has presented two shows: one new and the other back from touring. This year brings the premiere of The Show and the return of The Executioners—both shows that are a departure from her previous work. I was eager to talk to Anastasia about this in her show The Executioners which has a strong environmentalist message.

The Executioners is a collaboration between Anastasia and Gareth Chin, both very socially aware individuals, they want the show to effectively to open up conversation about the power of the individual to contribute to change. Anastasia’s character is presented much in the “millennial fashion” while Chin maintains the humble authenticity of a man who knows not just to take care but repair all of his possessions. The onstage dynamic of these two is described by Anastasia as “the gift that just keeps giving”.

“The show explores the hypocrisy or the dilemma of modern life; where we’re so aware of the damage we’re doing to the planet and the impact of all of our little actions and aware of all the little things we can be doing. But then at the same time we do live in this world where it’s a consumer society. Where there is still a demand to participate and be present in that if you want to thrive.”

While admittedly quite cynical and confronting, Anastasia wanted to showcase these social issues surrounding environmentalism and politics as well as produce music that could be enjoyed. She also wanted to reflect the digital world that we live in and the influence that technology has (both positive and negative) on society.

With a soundtrack of entirely original music, Anastasia and Chin put their musical talents together to present a diverse range of music, from acoustic through to electronic, designed to accompany the performance and their characters. “We wanted everything to be still tied together in a coherent style, even though it goes from acoustic numbers through to a raging fight scene with digital accompaniment.”

Anastasia wants to “create a whole aesthetic and soundscape that did that and reflected how much technology is a part of our lives” through incorporating both traditional and electronic compositions. Chin was responsible for crafting the piano parts and incorporating the accordion, but they also had another collaborator who is based in Berlin and responsible for more of the electronic side of things.

Anastasia’s second show, premiering for the first time at the Adelaide Fringe in 2019, is simply titled The Show. Anastasia told me a little about what we can expect from this new performance—an even greater departure from her previous work. The Show explores some big “what if” ideas about Anastasia’s life as a performer and what she would have left if she quit. She interrogates ideas about what cabaret is and the ridiculous things that make up her life. She says it’s “it’s quite funny, self-deprecating, and very honest.” I for one, am quite keen to see it.

As a fan of Anastasia, I would highly recommend seeing The Executioners and/or The Show while they’re in town!


The Executioners is playing at Gluttony’s Masonic Lodge until March 3 nightly.

The Show is playing at Gluttony’s Masonic Lodge across selected dates from March 5.

Words by Kayla Gaskell.

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