A Nice Time to be Alive: Ruby Fields, San Cisco, and Ball Park Music live at the Thebby Theatre

On a mild Friday night in the bloody beautiful city of Adelaide, a keen crowd gathered to watch Ruby Fields, San Cisco and Ball Park Music at the Thebarton Theatre – a one off spectacle! Let me give you a rundown on the fabulous night it was.

A little side note before we get started: it was polo shirt night, meaning every performer was adorably dressed in a polo-shirt. Oh, the aesthetic!

We kicked off with a beauty, I had no idea Ruby Fields had such a following! The crowd was far larger than expected for any pre-show at the Thebby and we were well and truly taken by this groovy gal. We spent most of her set having a good old jive to her upbeat tunes, such as ‘I Want’ and ‘P-Plates’. Don’t get me wrong, there were also sensitive moments: I got a lump in my throat half way through Field’s performance of her most recent single, ‘Dinosaurs’ – a song about the simplicities of childhood. But really, Fields won us over the second she mentioned our beloved Hahndorf.

Next up was Jordi, Jen, Josh, and Scarlett, San Cisco were in the house! When debriefing with my buddies later in the night, we couldn’t help but notice how wonderfully unique San Cisco are; no other band are so brutally honest yet pleasurably palatable. Lyrics such as ‘why does it feel so good to be self-destructing again?’, ‘I want to be with you forever, but I need space, you should stay at your place’ and ‘if you’re going to break his heart, could you break it gently please?’ are about as real as it gets. However, the best part is that their music is somehow it is angst-free. The harsh truths hide behind fantastic guitar solos, Jordi’s high vocal tendencies and the up-beat tempo of their tunes. They featured some of their most recent works like ‘Hey Did I Do You Wrong?’ and ‘Slow-Mo’, alongside some original San Cisco such as ‘Fred Astaire’ and ‘Magic’, before finishing the set with ‘Too Much Time Together’. San Cisco speak to those in their early 20s in a way no other band can.

After all this excitement the crowd flocked to the bar to get some well-needed fluids into their system. A couple of Adelaide gems were spotted in the lobby, with the likes of Liam Stapleton, one half of the Triple J breakfast radio show, and Callum Hann, runner-up from MasterChef 2010, floating about. Oh Adelaide, you always see a familiar face.

For Ball Park Music, my friends and I decided to take a seat. This is the first time I have ever sat down at a concert – it had been a long day, we were hot and bothered and our feet hurt (we are only 21, I promise). So, we cushioned ourselves in the well air-conditioned seated section at the back of the Thebby with a dead-centre view of the stage. And I am so glad that this is how I experienced the magic of Ball Park Music.

There is something breathtaking about sitting back and watching a sea of people share emotional experiences through song. We saw the crowd hush, cheer, dance, and bop in unison. Ball Park Music are often taken for granted – they have been a consistently good band for the last decade. I honestly forgot how much I loved them until I saw them play in this environment. Their music had been the background to many significant moments for me in the last few years, and I hadn’t even noticed. I’m sure others came to this realisation as well. The melancholic nature of their lyrics, mixed with Sam Cromack’s calming yet energised familiar voice give you those tingling goose bumps.

I will admit I got emotional many times during their set, particularly listening to the crowd singing along to ‘Everything is Shit Except My Friendship With You’, ‘The Perfect Life Does Not Exist’ and ‘Exactly How You Are’. ‘It’s Nice to be Alive’ – possibly one of the most uplifting songs of our generation – met every expectation as a spotlight landed on Cromack and the crowd sounded out each word, loud and clear. They also offered sweet Adelaide a treat, finishing with a song which they hadn’t yet performed their tour: they belted out a phenomenal rendition of the Beatles classic, ‘Hey Jude’, which left me thinking that although the perfect life does not exist, this moment in this life comes pretty damn close.

I enthusiastically suggest that you get around all of these artists – they all encapsulate the most relatable of experiences through their music. They were the perfect trio, performing in a perfect venue, in a perfect city, to a practically perfect crowd. It is VERY nice to be alive.


Words and photography by Michelle Wakim.

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